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Scroll Guru |
Twilight The street lamp is flickering Late night heat blistering On the corner of Missouri and Payne You can neatly hang your shame Relaxation with a heady toke A thin band of smoke Strobes thin in the light Two fingers holding tight Sirens crying in the distance Take no personal offense Straiten your black collar Cool hand softly dismisses her Nobody ever has to know You’ve perfected an excellent show Nonchalance sends orange spiraling downward To end sizzling on a rain moistened curb Part II Neighbor watched closely Filled with curiosity mostly Little to do Simply safe wondering who She saw his misplaced Jaguar Park in front of your mangled car Saw you come out to greet him As he met you with a shallow grin Your summer dress drifted As you followed him, spirits lifted Then the door simply closed For the third time in a week he imposed His wife was here yesterday Asked if anyone had noticed a stray The neighbor laughed “Goodness no” She was no part of this disharmonious show Smiling and closing the door Why get caught up in the drama, what for? That love triangle could continue It wasn’t something worth getting into. Part III She could cover the bruise on her eye No one would wonder why The makeup lay so heavy On someone most called a natural beauty His temper, who could blame him Given the type of life he was in With a wife that was more warden Then faithful loving woman He needed an escape Someone to hold him, keep him safe Not to ask why he hadn’t left yet Or how to afford this secret rendezvous’ rent No, with him she felt appreciated Even though it was never communicated They had already met three times this week When they were together they were complete She ran playful fingers across his chest To keep him, she would never confess To his abandoned children and wife They could find themselves a new life Part IV She pushed the hair out of her face Frustrated at this futile chase Of her playgirl husband and his little whores Jesus, what would anyone want him for He was abusive, he drank Was more in love with the funds in his bank Then the string of ignorant girls at his feet Like the one he met for the third time this week All she wanted was a signature A way to escape this ever-widening aperture Of what friends foolishly called married life Of what she called burgeoning mental strife A signature and she was on the run No matter his anger at what she had done He liked having his cake, and eating it to She’d been the icing for ten years and felt like a fool She stood in the portrait Smiled for the cameras when it wasn’t worth it Everyone said they were picture perfect House, two kids, and a dog— what a positive effect | ||
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Dream Scroller |
mons, I read this right after I posted my own rather melancholy poem "Hurricane Warnings" and I thought this is really funny; we're both in the same mood! Your piece is a story though, with more detail and I love all the detail. The people really come to life. My own poem was a sketch of a feeling, without really saying why it was there. I like this a lot. It would make a great country music song! | |||
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Scroll Guru |
NANZAR!! THANKS FOR READIN! Yes, it is a bit of a story. I wrote the first part, and loved it. Liking how it was written. Then i thought, it was saying something kinda, but not enough-- only i could tell what it was saying. Sooo, part one is a guy, a loser and he's just gotten someone "out of the picture". I think he killed her- one of the hers. And it is up to the reader to decide if he killed the lover, the wife, or the neighbor. their was supposed to be a part 5 but i didn't know how to write it without being to outright about it. I wanted to keep that open. I just wanted to tell the reader, look he could have killed this one for this reason, or this one, or this one. Which do you think it is. So the reader could leave with a "Hu." i've heard that before about a couple of other poems. and it scares me! i don't listen to country music... hehe... cause i think it's sappy. damn. maybe i don't listen to it cause it reminds me of my writing! NOOOOOOO! Thanks again for your time! mons | |||
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